Categories
Story Structure

WHICH PERSON

So here’s a problem I’m sure other writers have run into. Which person, first or third, works best? I suppose it depends on the writer and what’s being written, but for mystery writers, person poses a problem since people have different perspectives. Here’s where I run into just that kind of situation. Let’s say I’m […]

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Uncategorized Visual Writing

To Be or Not To Be

We use the verb “to be” a lot mostly because it’s easier than looking around for a verb that’s more accurate. But “to be” is a passive verb; it doesn’t do anything but join parts of a sentence together. Take this sentence: “The road was wet and shiny.” It provides information, sure, but it’s a […]

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Visual Writing

Write Where You Know

I’ve heard this idea expressed by numerous people, critics and writers especially, and it makes sense. However, to understand what it means to “write what you know,” I have to look at my experiences and then examine what I write to see what the connection really is. And that brings up some interesting insights and […]

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Visual Writing

Atmosphere

What is atmosphere? Atmosphere is something that the writer creates through setting to make a reader feel a certain way in a particular scene. Mood, on the other hand, creates a feeling that lasts from cover to cover. Creating mood through setting seems to me to be a subtle manipulation of the reader to feel […]

Categories
Story Structure

Plot

I was listening to the radio a while ago and heard a writer talking about plotting a novel, a crime novel. He stressed the fact that he wrote out scene details on pieces of paper, different colours for different sub plots, and stuck them up all over the walls of the room he wrote in. […]