What is atmosphere? Atmosphere for me is something that the writer creates through setting to make a reader feel a certain way in a particular scene. Mood, on the other hand, creates a feeling that lasts from cover to cover. Creating mood through setting seems to me to be a subtle manipulation of the reader to feel a certain way throughout an entire work.  Atmosphere, however, can change as the story shifts. Atmosphere, like mood, comes from description, from word choice, from sentence structure, from the rhythm of the prose.  So sun and warmth should make us feel good and …

Mood is just what it says; it evokes feelings in readers mostly through description. Mood is therefore buried in the setting; it’s part of the setting and setting surrounds readers with material that links the concrete world of things with the abstract world of feelings and ideas. Setting does this through the use of imagery, word choice, and tone, creating a kind of objective correlative, a linking of concrete image to abstraction. That’s how literature works. When you read a novel that’s heavy on mood, you respond to the language in either a positive or negative way. And language can be …

I’ve been thinking about the settings that novels use. In my own stuff, I see a basic dichotomy in imagery, a polarization between positive and negative settings whether it’s a city setting of alleys and parks or a more natural one of forest and farm. And since I know that I use imagery to reveal characters’ feelings, I want to talk about how that works. I use the natural world as a kind of objective correlative for feelings, and I think that sort of image use gets into everything from literature to the kind of world we build for ourselves. Think …

I’ve been thinking about metaphor. But to talk about it, I have to at least mention simile. As I understand it, a simile is simply a comparison: something is like something else. And usually, at least in literature, similes are used to link something concrete to something abstract, like a feeling or an idea. Although there’s a big difference between a rose and a feeling, a simile can suggest what the feeling is like by comparing it with the rose. For example: My love is like a red, red rose. Something of how we respond to roses, their beauty, their colour, …

I was listening to the radio a while ago and heard a writer talking about plotting a novel, a crime novel. He stressed the fact that he wrote out scene details on pieces of paper, different colours for different sub plots, and stuck them up all over the walls of the room he wrote in. He spent some time rearranging them periodically to see how the parts balanced and to discover what the order should be. He said, as well, that many writers use the technique. All of this was news to me.  I don’t plot anything, and I don’t use …